Marble Signed Keinger

This sculpture is from an edition of five numbered casts authorized by max klinger in 1903 from the marble original now in the leipzig museum he carved in 1898. Make offer sterling silver frog by s kirk son. Signed and with the foundry inscription of h gladenbeck sohn foundry berlin and numbered 3.

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His beethoven yergue decided the chin.

Marble signed keinger.

The sculptor presents beethoven as an olympic deity. The mythical sea goddess and child seated on a marble throne is klinger s only independent figurative sculpture in silver. Lucky yoga prosperity king frog grade a pure bronz card holder golden patina. The bronze referred to a polychrome marble bust that klinger had finished in 1893 and which had a great success condition the bust in in good condition showing some minor corrosion marks and slight scratches.

Max klinger german 1857 1920 kassandra 1895. Angel eagle rock and throne. The naked torso links him to the classical representation of the gods. Cassandra is smaller than the original marble version and the eighth in a series of these bronze sculptures issued by different german foundries for the artist.

This sculpture is from an edition of five numbered casts authorized by max klinger in 1903 from the marble original now in the leipzig museum he carved in 1898. Klinger traveled extensively around the art centres of europe for years before returning to leipzig in 1893. Make offer tiny sterling silver figurine frog prince with crown vilmain klinger v k. Sterling silver frog by s kirk son.

His marble statue of beethoven was an integral part of the vienna secession exhibit of 1902. He is surrounded by the signs of heavenly and earthly power. With 12 compositions in original portfolio with title cover plates i. From 1897 he mostly concentrated on sculpture.

The museum s bronze is signed m. Klinger on the right thigh of the figure and the foundry mark appears on the right buttock. The model for the sculpture was elsa asenijeff max klinger s model and his long standing unofficial companion. Klinger traveled extensively around the art centres of europe for years before returning to leipzig in 1893.

His marble statue of beethoven was an integral part of the vienna secession exhibit of 1902. The mere combination of materials a white marble statue seated in an elaborate bronze throne chair with a life sized eagle carved out of black marble at its feet is a hazardous venture before which an artist less skillful in his manipulations than klinger might long have hesitated and faltered. From 1897 he mostly concentrated on sculpture. Signed and dated all plates print signed max klinger.

In 1906 klinger presented galatea as his principle work at the prestigious exhibition of german contemporary art in weimar.

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